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Wednesday, March 30, 2005

Battlestar Galactica: A Season Too Sweet, Too Short
BY: JEFF DILLON Source: San Diego Union Tribune

What amazes me so much about Battlestar Galactica is how much I'll miss the grim and gripping saga between the finale of a too-short 13-episode season Friday night and the start of a second season in July.

This from a die-hard Trekkie who likely won't shed a tear when Enterprise finally clunks its way off the interstellar stage later this spring.

Much to my surprise, the producers have continued to find amazing depth in the tale of 47,000-odd refugees fleeing the destruction their civilization by renegade androids. Where the cheesy 1970s series quickly resorted to plots about aliens, clones and gods, the new Galactica deftly drives the story along with tension, mystery and interpersonal conflict between richly-drawn characters.

The dramatic premise of the show -- that the Battlestar Galactica and a relative handful of Colonial spaceships have just escaped from the Cylons and are always on the verge of being discovered -- is tautly maintained from episode to episode. (I also found the original miniseries "fierce and entertaining."

The series may not be "hard" science fiction with realistic physics and detailed calculations, but the main plot is driven by "the situation": Early episodes dealt with the strain of continuously fleeing the Cylons; running short of water due to sabotage; the search for water; running short of food; running short of pilots; the search for fuel; political tensions as people demand a say in their government.

There really hasn't been a need to contrive storylines involving, say, the need to fly the fleet past an ice planet with a giant gun on it. Once you build a more or less coherent universe for your characters to move around in, some storylines will develop naturally. Galactica reminds me a lot of Babylon 5 and Star Trek: Deep Space 9 in that way.

The nature of the Cylons -- the fact that some can now take human form -- also adds a continuing tension to almost every interaction on the show. In a parallel to today's terrorism fears, the Colonials constantly fear Cylon infiltrators. And until everyone is tested and his or her loyalty is confirmed, anyone could be a Cylon. (Who'd expect an episode about torturing a robot to be so thought-provoking?)

Layered on top of this are the political clashes: President Laura Roslin vs. Commander William Adama, Roslin vs. populist rebel Tom Zarek, plus Dr. Gaius Baltar's new role as Roslin's vice president. And we have all the interpersonal issues: Adama and his son, Lee (Apollo); Lee's thing for Lt. Kara Thrace (Starbuck); Adama's issues with Starbuck over the death of his other son, Zack; plus too many more to list. Even if you don't for the sci-fi, it's a bloody wonderful space soap opera.

The show also has had an appealing sense of unfolding mystery to it. As the introductory narrative explains every episode, it's clear that the Cylons have some sort of plan. It was never clearly explained why they chose to wipe out humanity. Simple revenge? Because humans don't believe in their one god? For the old sci-fi adage that they'll eventually wind up fighting with humans over resources anyway? Is the Cylon god just a token of faith -- or a product of their networked consciousness or a mainframe somewhere?

Plus there's the whole Lt. Sharon Valerii (Boomer) / Lt. Karl C. Agathon (Helo) thing that's been going on on Caprica, some sort of Cylon experiment gone awry. It's clear the Cylons want to feel and somehow need to interact with humans to do it. I can't believe Helo's the only survivor. It wouldn't surprise me to see more of them turn up, or to see Cylon-raised humans or Cylon-turned humans show up to harass the Colonials.

The last few episodes have introduced some new supernatural elements, with Roslin apparently having visions and prophecies apparently coming true. Unless you're talking Jedi, I'm always a bit troubled when writers blend their supernatural elements with their sci-fi -- people look silly enough talking about things foreseen in ancient writings without holding blasters in their hands -- but if the Galactica folks can pull this one off without sending everyone back to 1980s Earth in white uniforms, I'll be happy.

Ever since DS9 went off the air, I've wished Trek could do half so well.

koenigrules logged this Intel at 10:36 PM

Tuesday, March 29, 2005

Source: SciFiPulse

Hatch Definitely Returning As Tom Zarek
BY: IAN M. CULLEN

In a recent chat event held at Cylon Alliance, Battlestar Galactica actor Richard Hatch answered a volley of questions concerning his new role in Ron Moore's re-imagined Battlestar Galactica as well as his own projects.

One question which has been on the lips of many fans is whether or not Richard will be returning as the mysterious Tom Zarek the role he originated last year in two episodes of the Ron Moore produced show. The actor revealed that he had spoke to Ron Moore at the Grand Slam convention, "He told me I'm definitely coming back for a bunch of episodes. I'll be filming in May or June."

When asked for hints of where Tom Zarek's character maybe going this season Hatch for obvious reasons was unable to reveal much but joked by saying, "Can't say much but I believe I'll be woven into a bunch of political stuff. Ha ha. Nothing revealed there. Maybe I'll even get laid! Wouldn't that be cool?"

Hatch too many fans of the original series is one of a group of actors who have helped keep the ideas and ideals of the Classic Galactica alive. Indeed no one has done more than Richard Hatch has to try and motivate fans to aid in a potential continuation. One of the ways Hatch has done this is through his Battlestar Galactica books which are all set 20 plus years after the classic series ended. As this stand Hatch is contracted to write two more Galactica novels which are set in the original series universe and not the universe depicted in Ron Moore's show, and as you would expect the books are very much character driven and over time Hatch has developed a fondness for writing a particular character.

"My next one is called Redemption! It's out in May. Lots of cool stuff with Baltar! He's become my favourite character. A man who has been to the dark side and returned has much to tell. It's a true story of Redemption! Well, you never know where people go when they die do we? The mystery of Baltar will be revealed over the next two books. "

When asked for his insights one whether Zarek is truly evil or a good guy Hatch provided the following clues as to how he sees the role.

"Tom Zarek is a good guy to me. But one who has suffered for his ideals. A damaged and wounded man is capable of anything. Like many of the new characters on the new BG series Tom is a very conflicted character who is struggling with his demons. Sometimes the good guy wins and sometimes the bad guy dominates."

You can read much more of this chat transcript at Cylon Alliance. Sci Fi Pulse would like to thank Warrior for running a smooth chat and also Richard Hatch for being generous enough to give his many fans some time to interact with him. Other highlights of the chat session include some exciting developments on Richard's 'Great War of Magellan' Project which is becoming closer to realization as a potential TV show every day. You can find out much more about the project at http://www.greatwarofmagellan.com/which should be back online in the next few days.

koenigrules logged this Intel at 4:55 PM

Monday, March 28, 2005

The Watercooler Source: TVGuide

The Watercooler is a daily discussion of last night's TV. Our talented crew of writers offer up fun and insightful commentary on their most-loved TV shows, and you get a chance to make your voice heard in our poll.

FRIDAY
Battlestar Galactica

"I'm a screwup, Lee. Try and keep that in mind." -- Starbuck, in the Galactica quote of the hour

But well before that: Whoa... is this a beginning, or what? Starbuck in bed with Baltar, and calling out Apollo's name? Adama and his son beating the snot out of each other (albeit with gloves on), Galactica Boomer's eating a gun while Helo hauls off and shoots Caprica Boomer? All before the theme song, too.

And it's not bad enough that Baltar's got a Cylon living in his head, but now she's a jealous one who says she loves him, too? Uh... what about the little matter of your race trying to eradicate his? And you giving him a hint of what it would feel like to have his heart ripped out (literally), and smashing his face into the mirror, and...

"I wake up in the morning, and I wonder who I am," says Galactica Boomer. With you so far, ma'am. Who hasn't? "I wake up and wonder if I'm gonna hurt someone." OK, you lost me there, except for a few times on the freeway this week. Yeesh.

But hey, look! I'm pretty sure Starbuck's drinking from a Nalgene bottle there. I hike with them myself and never realized they came from our space brethren.

Also, I know I wrote recently that I thought Starbuck and Adama might have some buried heat (and maybe they do), but here comes the launch of a full-fledged love affair with Apollo, I'm now thinking. I mean, playful love taps, full-force punching each other in the face -- what's the difference, really?

Anyway, I can say this is my favorite episode of the season despite serious competition from other weeks (the recent destruction of the Cylon mining operation comes to mind). Now, how fast can next week get here so I can see Part 2? -- MP

koenigrules logged this Intel at 10:23 PM

Sunday, March 27, 2005

Source: Time

6 BEST DRAMAS ON TV NOW: Need a change of serial?
It's not too late to taste-test these BY: JAMES PONIEWOZIK

Spring is the time for weeding: for gardeners, a time to yank and replant; for TV watchers, a time to clear the dead underbrush from the viewing calendar and start anew. Maybe a favorite show's been canceled; maybe the midseason replacements weren't what you hoped for; maybe you've fallen out of love with a fall fling. Whatever the reason, here are six current dramas worth transplanting into your weekly rotation before rerun season starts...

BATTLESTAR GALACTICA (SCI FI, FRIDAYS, 10 P.M. E.T.) Intelligent life in space? The most anyone could have expected from a remake of the campy '70s series was better haircuts. Instead, Galactica has been reborn as a dark, thrilling story of a deep-space war between humans and the Cylons, a race of robots created by mankind that can disguise themselves in human form. In an intriguing twist on the old series, the new Cylons have a religion and justify their genocide as punishment for humans' corruption. The humans must weigh fear vs. liberty and military vs. civilian authority. As a spacebound parable of the war on terrorism, this series hits eerily close to Earth.

koenigrules logged this Intel at 8:53 PM

Brannon Braga Says ENTERPRISE May Have Been a Miscalculation,
Praises GALACTICA Source: TrekWeb

Braga: Look, I don't know what the future of science fiction is. I have read TRANSMETROPOLITAN, which is astounding, which I think someone has already snapped up to do as either a movie or show. I look at the MATRIX films (inaudiable) That was a seminal movie. That was highly sophisticated story, that to me, took the genre to a whole other level. In terms of television, it would be great to see someone like HBO do something where, you know they only had to make 13 episodes, and they had two years to make them and they were just incredible. A really good show right now, if you are looking for something is BATTLESTAR GALACTICA. Its an amazing show. And that's on the SciFi Channel. But I don't know what is out there. I would hope that's going in directions like TRANSMETROPOLITAN which are very complicated storylines and much more ambitious.

The full transcript can be found here.

koenigrules logged this Intel at 2:10 PM

SciFi Channel, ABC Scores With Hugo Nominations
BY: MICHAEL HINMAN Source: SyFyPortal

SciFi Channel and ABC won the praise of Hugo voters this week, after it was announced the programs from these stations are up for the coveted World Science Fiction Society awards to be given out in Glasgow, Scotland in August.

SciFi got two nominations in the Best Dramatic Presentation-Short Form category with the two-part episode "Heroes" from "Stargate SG-1." Also getting a nod was the first season premiere of "Battlestar Galactica," called "33," which kicked off the successful series on Sky One in the United Kingdom, and Space in Canada.

Read more here.

koenigrules logged this Intel at 1:00 PM

Saturday, March 26, 2005

Now Playing Mag Reviews Episode 112
Battlestar Galactica Kobols Last Gleaming, Part 1

Written by Scott Collura
Friday, 25 March 2005

The Galactica fleet stumbles upon a hospitable and green planet that would seem to be the answer to all their problems. Commander Adama wants to settle on the world, but President Roslin, whose druginduced visions have continued, believes that the world is actually Kobol – the mythical Eden, as it were, from which the Colonies sprung – and that it is the key to finding Earth. Meanwhile, Kara, Lee, and Baltar find themselves in the most unlikely of love triangles, and back on Caprica, Helo has figured out the truth about Sharon.

Judging by Karas dress – or rather, state of undress – at the beginning of this episode, it would seem that events are picking up here pretty much right where the previous segment left off. And while that episode, Colonial Day, ended in lighthearted celebration for the crew of the Galactica, all of the drama that has been building up throughout the season is finally coming to a head in this first part of the years finale.

First and foremost among these plotlines is the subtle struggle between Adama and Roslin, which isnt so subtle now that Kobol has entered into the picture. Mary McDonnells Roslin has undergone perhaps the most dramatic transformation since the pilot miniseries, from a humble school teacher to a cold and calculating politician to – most recently – possibly even a mad leader. And Adama, who makes his decisions as steadily as he steers his ship, nonetheless is being forced by Roslins religious fanaticism regarding Kobol into possibly having to pit the military against the government.

As for Kara, Katee Sackhoffs character represents much of what works about this show as a whole. Whereas the old series Starbuck was supposed to be a rogue, a gambler, and a ladies man, he was so inoffensively neutered as to be interesting only to those under 12yearsold. Sackhoffs Starbuck, however, really is a rogue, or as the character refers to herself, a screwup. So when the episode opens up and shes in bed with Baltar — who we know to be at least partially to blame for the Colonial holocaust — its not so much a surprise as it is a reminder that this Galactica is willing to go in directions that most scfi TV isnt. And lets not even get started on Starbucks deal with Roslin in this episode…

Other developments pop up throughout the episode for nearly everyone. The Sharon onboard Galactica has become suicidal as a result of her confusion over her identity, and Baltar (with some urging from Number Six, one supposes) helps her along with those urges a bit. Back on Caprica, Helo and his Sharon have had a falling out, to say the least, now that he knows that shes a Cylon, but shes also harboring a secret that will certainly change the dynamics of their relationship yet again. And father and son Adama continue to work out their difficulties, which as in life but unlike in most TV shows, apparently will never be fully resolved.

Oh, and then theres the matter of the Cylon Basestar that has appeared above Kobol, and the Galactica officers — not to mention Vice President Baltar — who have gone missing after a confrontation with the massive ship. What to do about that? A
The Galactica fleet stumbles upon a hospitable and green planet that would seem to be the answer to all their problems. Commander Adama wants to settle on the world, but President Roslin, whose druginduced visions have continued, believes that the world is actually Kobol – the mythical Eden, as it were, from which the Colonies sprung – and that it is the key to finding Earth. Meanwhile, Kara, Lee, and Baltar find themselves in the most unlikely of love triangles, and back on Caprica, Helo has figured out the truth about Sharon.
Judging by Karas dress – or rather, state of undress – at the beginning of this episode, it would seem that events are picking up here pretty much right where the previous segment left off. And while that episode, Colonial Day, ended in lighthearted celebration for the crew of the Galactica, all of the drama that has been building up throughout the season is finally coming to a head in this first part of the years finale.
First and foremost among these plotlines is the subtle struggle between Adama and Roslin, which isnt so subtle now that Kobol has entered into the picture. Mary McDonnells Roslin has undergone perhaps the most dramatic transformation since the pilot miniseries, from a humble school teacher to a cold and calculating politician to – most recently – possibly even a mad leader. And Adama, who makes his decisions as steadily as he steers his ship, nonetheless is being forced by Roslins religious fanaticism regarding Kobol into possibly having to pit the military against the government.
As for Kara, Katee Sackhoffs character represents much of what works about this show as a whole. Whereas the old series Starbuck was supposed to be a rogue, a gambler, and a ladies man, he was so inoffensively neutered as to be interesting only to those under 12yearsold. Sackhoffs Starbuck, however, really is a rogue, or as the character refers to herself, a screwup. So when the episode opens up and shes in bed with Baltar — who we know to be at least partially to blame for the Colonial holocaust — its not so much a surprise as it is a reminder that this Galactica is willing to go in directions that most scfi TV isnt. And lets not even get started on Starbucks deal with Roslin in this episode…
Other developments pop up throughout the episode for nearly everyone. The Sharon onboard Galactica has become suicidal as a result of her confusion over her identity, and Baltar (with some urging from Number Six, one supposes) helps her along with those urges a bit. Back on Caprica, Helo and his Sharon have had a falling out, to say the least, now that he knows that shes a Cylon, but shes also harboring a secret that will certainly change the dynamics of their relationship yet again. And father and son Adama continue to work out their difficulties, which as in life but unlike in most TV shows, apparently will never be fully resolved.
Oh, and then theres the matter of the Cylon Basestar that has appeared above Kobol, and the Galactica officers — not to mention Vice President Baltar — who have gone missing after a confrontation with the massive ship. What to do about that? A

Blade Runner logged this Intel at 8:00 PM

Friday, March 25, 2005

Podcasting: Making an Impression
Podcasting seems to be making a very big impression on the online community following the Battlestar Galacticas own commentary series thats currently online at www.scifi.com:

Source: Seattle PI

Podcasting puts you in charge of the show
By D. PARVAZSEATTLE POST-INTELLIGENCER REPORTER
Now that blogging (you know, basically putting your diary or rants/observations online) is, like, old, the rush is on to embrace the newest method of transmitting stuff into the world -- podcasting.
Early adapters may roll their eyes at this (so terribly 2004), but the fact that Tara Reid hasnt started her own podcast (or, dear Lord, has she?) may mean that trendwise, the wave has yet to crest.

So what the heck is podcasting? It sounds like it has something to do with aliens and fishing, but basically, it allows people to subscribe to audio programs, professional and otherwise. That is, instead of going online and listening to a show or a broadcast on your computer, you can program your computer, by using the right software, to regularly update and download certain programs. Itslike TiVo for your MP3 player.
What most people actually do is podcatching -- theyre on the consumer end of the podcast, capturing the goods and storing them on their hard drives and MP3 players.
Once your computer has downloaded your preselected program, itll automatically move the files in with your other MP3s. So, say youre using iTunes -- your aggregator software (the stuff that reads RSS -- Real Simple Syndication feeds, which identify new material online) will move your chosen programs or files into iTunes, where theyll wait until you sync up your iPod.
My sense is that it will be around for quite some time, much in the same way that RSS has been around since 1998 and has exploded with the rise and preeminence of blogs, says Jack Beslanwitch, founder of Seattle HTML SIG, a group dedicated to keeping track of innovations in Web content. A freelance Web designer, Beslanwitch says the combined use of RSS, TiVo and hand-held MP3 players is a no-brainer -- it was bound to happened sooner or later.
What kind of stuff is out there and what can you create? An oral blog -- its your life, in sound files, baby. You can put together a radio program -- ever wished they played more Mark Sandman on the radio, less Nelly Furtado? On RadioYou, they do.
Brian Ibbott podcasts his show (www.coverville.com) thrice weekly from his home in Arvada, Colo. As a kid, Ibbott, 35, dreamed of becoming a radio DJ, but thought he didnt have the voice for it.
So if Ibbotts show is for you, and you wished you could bundle him up and put him in your pocket for a rainy day, you can. With podcasting software, Ibbott voluntarily jumps into your MP3 player. Of course, podcasting isnt limited to music. For example, if youre a huge Battlestar Galactica geek, er, fan, you can download commentary by the shows producer and listen to it while youre watching the program on the Sci-Fi Channel. No, dont tell anyone else you do this.

Blade Runner logged this Intel at 10:00 AM

Thursday, March 24, 2005

Ragnar Anchorage Forums

We are testing out a new and far more versatile board format. We are unsure as yet if it will be implemented, it will depend on its ease of use for our members and also if there is a demand for it.

If things dont seem to work let one of the admins know, we are still messing around it.

Find it here

Blade Runner logged this Intel at 10:19 AM

Wednesday, March 23, 2005

More plot details on the first two Season 2 episodes
Source:HNR

Information about the first two episodes of Battlestar Galacticas second season are beginning to surface on a few websites. We cant 100% vouch for the authenticity of all the details, but from what weve been told, the synopses below sound reasonably accurate. The information is based upon early iterations of the stories, and naturally subject to change in subsequent versions and/or by the time the series goes into production here in Vancouver, commencing March 31.

If you wish to be surprised, read no further; otherwise, here is what we know so far about the season two, two-part opening story:


SPOILERS INCLUDED!!!!

EPISODE 201: Scattered

Logline: Chaos is rampant as paramedics try to save Commander Adamas life after he is shot, and the Galactica is separated from the fleet. Suspicion is cast on even the closest of allies.

The Teaser starts with Tigh, twenty years younger, in a bar. The setting is just after the first war and hes obviously a hero but just as obviously hes got the stare going on. Two drunk grunts (Bowey and Hooper) approach Tigh and start heckling him about being a real war hero. They remind him hes not a pilot anymore. They push too far and Tigh, also tipsy, gets back in their faces. A fight starts. The bartender pulls out a shotgun but off-camera is stopped from doing anything. Tigh has Hooper in a headlock and is telling him how easy it would be to pop his neck. Off-Camera we hear: You flew Vipers?

Im guessing this is Adama and Tighs first meeting. Tigh says he did and Adama says he did as well and then asks what Tighs plan is. Tigh admits he doesnt have one and Adama says well they could kill everyone in the bar. They then decide to let everyone go, point made. Hooper and Bowey scramble out of the bar. Adama tells Tigh not to worry, theyll have plenty of time to deal with those two candy-asses later. Adama introduces himself and tells Tigh that hes his new shipmate.

Flash back to the present and the CIC in chaos:

Tigh, Dualla and Lee are still holding Adama while the paramedics are working on him. Lee is crying out for Doc Cottle. The two paramedics, Layne and Kim(both male) tell them the Doc is out on rounds. They start working on Adama- lotsa medical mumbo jumbo.

Sharon is on the ground screaming that she couldnt have done what she did. Shes being pinned by crewmen and a Marine Sgt has a gun at her head. Tigh orders him to secure that thing in the tightest compartment they have. They yank Sharon up by her hair and start to cart her away. The paramedics announce that Adama is stable enough to move.

Captain Kelly(yep, I believe the officer from the mini that disappeared for all of season 1) asks Tigh if this could be a pre-cursor for a Cylon attack. Tigh isnt paying attention however, eyes only on Adama. The stretcher with Adama on it passes Boomer and she screams out, No.....

Lee starts to follow the stretcher but the Marine Sgt steps in the way. At the same time Tigh is talking with Racetrack and Kelly, trying to ascertain if the Cylons could have found them. Everyone is talking at once, Lee is pleading to be allowed to go with his father.

Gaeta announces a Cylon Raider approaching. Sharon suddenly screams out, upping the chaos level. Kelly says they need to jump. Tigh makes the decision, jump they will. The Doctor will have to be met up with on the other side of the jump. Gaeta asks what about the people on the planet, Tigh says that if they are still alive, they will have to wait.

The next scene is in the Brig. Cpl Venner march Lee in. Roslin is there. He tells her what happened to his father and who did it. He demands to have his chains removed but the corporal tells him not until he calms down. Lee kicks the cell door as the Marine exits. Roslin asks how bad Adama is, says Cottle is a great doc. Just then Ds voice comes over the speaker and announces the jump. Lee tells her Cottles not on board.

The jump completes and Gaeta notes that they appear to be the only ship that jumped. Theyre alone.

Adama is hooked to monitors, pale and not doing great. Tigh enters and asks how he is. Layne tells him the bullet tore up his spleen and hes got heavy internal bleeding. They need Cottle immediately. Tigh tells him its going to be awhile and says that Layne is going to have to do it. The paramedic protests saying hes never done surgery before. Tigh replies, And Ive never commanded a Battlestar.

Theres the beginning of a brief scene between Dualla and Gaeta in the head. Hes upset and D is telling him that its not his fault.

Lee is out in his Viper, pissed as all hell and flying very recklessly. Hes described as beserk.

Corporal Venner, the brig guard approaches Roslin and asks her to pray with him. She takes his hand.

The lights and electronics on Galactica are going haywire. Kim and Layne are with Adama- Kim announces that his heart has stopped. They cant defib because of unsteady power. Layne decides to operate.

There is apparently some kind of virus in the system playing hide and seek and Gaeta and Kelly are trying to hunt it down.

Billy is down in the brig watching Roslin pray with Venner.

Lees still fighting holy hell out in space.

Somehow or another they manage to locate the rest of the fleet and Tigh orders Dee to get Cottle brought over.

We flashback again to the past. Tighs a little older. Hes in a seedy hotel room, pretty tore up. Ellen is asleep in the bed and there are bottles everywhere. Hes described as being at the end of his rope.

He sees his medals on the ground. He tosses lighter fluid all over them and in his drunken state, all over his sheets and self. He ignites his lighter and is about to set everything ablaze when a knock interrupts him.

The man at the door is Sgt Watkins of Shore Patrol. He asks Tigh to open up. He does and sees two Colonial Marines standing there. Tigh asks what the charges are.

Watkins tells him there are no charges and that Major Adama sends his compliments and wishes for Tigh to know that he has been reinstated in the Colonial Fleet with the rank of Captain.

Tigh is amazed, wishes the Sgt well. Ellen blearily asks whats going on. Tigh just smiles.

The last bit we have for this is Tigh standing over Adamas bed. Hes made it through the surgery.

I do believe however that this is a two-parter at the very least. The camera shot numbers carry over in that manner.

SPOILERS included!

EPISODE 202: Valley Of Darkness

Logline: Cylon Centurions board the Galactica and wreak havoc, and Lee leads a team of Marines to try and stop them.

Corporal Venner is protecting Billy and Roslin. Something very bad is going on. Lee enters and tells him not to shoot, says he has a fire team with him. Lee enters with two Marines, Collishaw and Bonnington. They declare the brig clear. All of them show signs of being wounded.

Roslin asks Lee whats going on- he tells her theyve been boarded, Cylons got in through the hanger deck and shot the place to hell. Lee orders Venner to release Roslin. Venner protests saying his orders...Lee says frak your orders...they start shouting. Roslin says gentlemen and they both shut up instantly. Roslin uses his religious beliefs to persuade the Corporal to release her. Lee says that the safest place on the ship is sickbay and thats where Roslin is going. He asks for a sidearm and Bonnington hands one over. Lee asks Billy if hes even handled a weapon. Billy answers that he had an airgun when he was ten. Lee tells him the principle is the same, real ones just make a louder noise. He offers Roslin his own gun, she declines. He orders Venner to get Roslin and Billy to Sickbay. Roslin asks where hes going and he declares that hes not going to let the Cylons destroy the ship.

Lee decides that theyre going to need heavier artillery and then theyre heading for the magazines- he thinks thats where the Cylons are headed.

Roslin and Apollo wish each other good luck.

Tigh is racing through dark corridors ordering people to their stations. He enters the CIC where Gaeta and Kelly are working on a deckplan. They indicate where there are reports of conflict and gunfire.

Tigh is on the phone with Ellen. They each say they love each other and he hangs up. Ellen grabs a gun and hides in a locker.

Lee is pressed against a bulkhead. As they move down the corridor they see a disemboweled corpse. Lee tells the Marine to keep his eyes straight ahead.

They come up to a weapons locker and find another dead Marine. Theres a moment and they see Jammer(?) cowering in the corner. Lee asks him what hes doing and the kid babbles about Cylons killing everybody. Lee tells everyone to load up, the Cylons are heading towards them.

Tigh tells Apollo to get to Aft Damage Control Right Frakking Now(Lee repeats Aft Damage Control AFN) or the whole ship will be lost.

Roslins group enters an empty bathroom. Dualla is with them now and shes at least slightly hurt. Maybe a head injury. Billy puts her on the ground. She sees the gun in his waistband and asks him if its his. He says it is now. She tells him that when he has it in his trousers like that, he might want to put the safety on. Billy blushes, she reaches out and clicks the safety on. She says its the closest shes been to sex in three months.

The Marines in the group are trying to use a back-hatch through the bathroom to get to Sickbay but its been de-pressurized. Venner says the best way is to head towards Aft Damage Control.

One of the Marines Lee has been traveling with is shot and killed. Theyre in the middle of a firefight with the Centurions. Roslin and her group begin diving for cover under boxes and crates. Venner is shielding Roslin with his body.

Lees group retreats a few steps to address a few injuries. They ask him what to do next. Lee says they go after the Cylons again. Jammer protests and Lee tells him its either that or violent decompression. One of the Centurions is working the decompression panel in Aft Damage Control.

In the CIC the crew is getting into some kinds of suits and decompressing. Tigh still hasnt done it yet. Gaeta comes up to him and tells him he should really put his suit on. Tigh says no. Gaeta says there wont be much time but Tigh dismisses him.

Roslin wants to help Lee and the Marines but Venner insists that his mission is to get her to Sickbay and thats final.

Lee and Collishaw explode a grenade and jump to escape the blowback. Then theres silence.

Doesnt look like Venner got very far. He moves over and sees Roslin behind boxes, thinks shes dead. Shes not. Dualla and Billy are okay as well. Venner pulls Roslin up, sees her jacket has been shot numerous times but shes okay. He says, The gods...really are watching over you.

She replies,Good. Thats good.

Dualla takes the gun from Billy.....

Blade Runner logged this Intel at 6:57 AM

Tuesday, March 22, 2005

TV REVIEW: Season-ender a shocker for 'Battlestar Galactica' fans
BY: DAVE MASON Source: The Modesto Bee

Sci-fi often fares poorly on the big and small screens because of writers who see it as nothing more than space battles, stereotypical aliens or unbelievable disasters.

But once in a while, writers get it right. That happened during the original "Star Trek" and "Twilight Zone," "Babylon 5," the early seasons of "The X-Files," "Farscape" and now "Battlestar Galactica."

The original "Galactica," while an entertaining show in 1978-79, couldn't really belong to that handful of great sci-fi shows. The new version of "Galactica" has its place among them because it challenges viewers' perception of the characters and reality. And every second is a surprising plot twist, right down to the shocking season finale. The two-part story, "Kobul's Last Gleaming," airs at 10 p.m. Friday and April 1 on the Sci Fi network, and it marks the greatest two hours of science fiction since "Farscape" at its best.

The plot blends hope, courage and tragedy and is driven equally by characters and action. The last few minutes features shocking developments for the characters, and the theme of this "Battlestar" becomes clear: Can any of us escape destiny, good or bad?

That question will remain on viewers' minds as they await the start of the second season this summer. Filming is starting this month in Vancouver, British Columbia.

In less philosophical terms, the season finale is about finding Kobul, the birthplace of humanity, and possibly using Kobul to find the legendary 13th colony, Earth. The fleet of human survivors is desperately looking for Earth while trying to stay ahead of Cylons, evil robots who are chasing them. The complicated thing is that some Cylons look and sound human.

Some Cylons don't know they are Cylons, but Boomer (Grace Park), one of the fleet's top officers, is beginning to realize she's a Cylon. She doesn't know if she can escape her horrible destiny.

President Roslin (Mary McDonnell) faces another kind of destiny as she sees signs that the legendary 13th colony, Earth, does exist and that she can lead the fleet there. That drives the first part of the two-part finale.

The second episode focuses partly on the bitter conflict between Roslin and Cmdr. Adama (Edward James Olmos) as their power struggle reaches its peak. Not surprisingly, McDonnell and Olmos stand out as they use an understated approach to make their characters compelling.

This incarnation of "Battlestar Galactica" gets messy with characters who aren't sure of themselves, what they're doing or where they're heading. It doesn't connects the dots in the plots as conveniently. And it doesn't try to rely on overused plots. As developed by executive producer Ronald D. Moore, "Galactica" is far more sophisticated than that.

While other sci-fi series emphasize danger with blaring horns, "Galactica" achieves more intensity by relying on camera movements, lyrical music and the kind of editing that has rarely been seen since "2001: A Space Odyssey." Other sci-fi shows throw meteors at Earth. "Galactica" throws spears right smack into the human soul.

The conventional wisdom at the networks might be this is over viewers' heads. But the successful ratings of "Galactica" show viewers do get it when the writers get it right.

koenigrules logged this Intel at 9:05 PM

Monday, March 21, 2005

Tonight's Best TV- Friday, March 25, 2005
BY: NEIL DRUMMING Source: Entertainment Weekly

Stargate SG-1, Stargate Atlantis, Battlestar Galactica (Sci Fi) 8-11pm: SG-1 kicks off a night of cosmic catharsis with a sci-fi chestnut: the alternative timeline episode, where one screwup in the past wrecks the present (did no one see Back to the Future?!). Atlantis, meanwhile, enters The Matrix (Revolutions, sadly) but with a less satisfying firefight and none of Keanu's comic genius. And Battlestar gets it right: Mutinous standoffs, surprise assassinations, and hot blondes brawling on a radioactive planet -- now that's how you end a season. SG-1: C Atlantis: C Battlestar: B+

koenigrules logged this Intel at 6:06 PM

Saturday, March 19, 2005

Tuned In: Just When You Thought It Was Safe to Watch TV
BY: ROB OWEN Source: Pittsburgh Post-Gazette

Great 'Galactica'
Sci Fi Channel's "Battlestar Galactica" begins its march toward the April 1 season finale tomorrow at 9 p.m. If you haven't been watching this intelligent, engrossing space drama, you're truly missing out. It's turned out to be one of the best shows of the year.

It may be based on a cheesy '70s-era show of the same name, but the new "Galactica" is a smart drama filled with issues of morality, politics and good old-fashioned space-based melodrama.

The tense two-part season finale features reunions, a mutiny, a military coup and one of those "holy *&%$!" cliffhangers that will have fans biting their nails until season two. Luckily that won't be long -- the second season of "Battlestar Galactica" kicks off this summer.

koenigrules logged this Intel at 3:20 PM

Friday, March 18, 2005

BSG Season 2 Episode Titles and ***Spoilers***
Source: Gateworld

Here are the first two episode titles and plot synopses to Galactica's Season 2:

Episode Number 2.01: 'Scattered'
Chaos is rampant as paramedics try to save Commander Adama's life after he is shot, and the Galactica is separated from the fleet. Suspicion is cast on even the closest of allies.

Episode Number 2.02- 'Valley of Darkness'
Cylon Centurions board the Galactica and wreak havoc, and Lee leads a team of Marines to try and stop them.

koenigrules logged this Intel at 8:18 AM

Thursday, March 17, 2005

Gatecon Vancouver To Heavily Feature Galactica
Richard Hatch and Dirk Benedict together in rare appearance
Robert Falconer HNR Senior Editor

This years Gatecon sci-fi convention takes place in Vancouver, appropriate enough given our citys growing reputation as the sci-fi production capital of the world. For Galactica fans, however, this year promises to be a special treat. In addition to Aaron Douglas (Chief Tyrol), Alonso Oyarzun (Specialist Socinus), Tahmoh Penikett (Lt. Karl "Helo" Agathon) and Kandyse McClure (Petty Officer Dualla) from the new Battlestar Galactica series, the convention will also feature a special appearance by Richard Hatch and Dirk Benedict from the original series, together on stage for one of the very few times since the original Battlestar Galactica ended.

New guests are being added constantly, and some of the other highlights include appearances by Kevin Sorbo (Captain Dylan Hunt from Andromeda and Hercules from Hercules: The Legendary Journeys), Robert Picardo (the Holographic Doctor from Star Trek: Voyager), Gwyneth Walsh and Barbara March (the Klingon Duras sisters from Star Trek: The Next Generation) and also Chris Kramer and Ellen Dubin from the hit Canadian series, The Collector.

Gatecon

Blade Runner logged this Intel at 7:03 AM

Wednesday, March 16, 2005

Ten Minutes with Tricia Helfer
written by Coury Turczyn on Friday, March 04, 2005
Source: G4

Number 6 from the New Battlestar Galactica Doesnt Want to be Just Another Robot Chick

When the Sci Fi Channel announced in 2003 that it was remaking the 1978 Lorne Greene series Battlestar Galactica into a modern mini-series, nostalgic fanboys across the internet voiced their disapproval with this blasphemous tinkering. But lo and behold: It was really good…. good enough, in fact, to be renewed as an ongoing series. Since then, the new Battlestar Galactica has been winning over stalwarts with its sharp writing, cool visual style, and an effective cast. Getting a lot of fan attention is Tricia Helfer who plays Number 6, a Cylon android who may or may not be totally evil though she is unquestionably the shows designated hot Cylon, regularly seducing the hapless human, Dr. Gaius Baltar (James Callis). We asked her to reveal Number 6s true intentions for the human race, and how dangerous it can be to revamp a classic science fiction TV series.


So what the heck is Number 6?

Number 6 is a humanoid Cylon—the Cylons have improved themselves over the last 40 years. Basically, I think my job was to disguise myself, as I was designed to, and confuse the humans so I could get access into their defense network. I did that by having an affair with the scientist (Baltar), and going in and changing the programs, which allowed our ships to come in. Number 6 is definitely intelligent. I think a lot of people overlook that and they just look toward her more seductive side, but there are a lot more facets to Number 6 than what weve seen yet.


Number 6 seems to keep viewers wondering what her true agenda is

I think thats what keeps it interesting. We didnt want to just have a robot chick. I think thats been done before, and its very one-dimensional. We wanted to keep people guessing: Is she going to help the humans? Is she is not? How much human emotion does she feel? I always wanted to get people feeling some sympathy for her, and then all of a sudden ripping the rug out from underneath them and shocking them. Thats what the goal is.


So how do you prepare to play a mysterious humanoid Cylon?

I dont look at her as being evil—I look at her as just being who she is and she doesnt know any different. If you look at her as evil, then youre going to play her that way. And shes more than that. Edward James Olmos asked me to watch Blade Runner, which I had never seen. I already had my own ideas of the direction I wanted to go with character, but I saw it the night before we started filming, and I went: Thats the idea of what I want! with the replicants. And thats really kind of what I followed and tried to stay true to.


Do the writers let you know your characters story arc for the season or do they keep you in the dark?

I dont know anything. Ive been asked many times what Number 6 is thinking, and I really have to go episode by episode because Im not given anything. I spoke with (writer/producer) Ron Moore about it—I said, Ive got to know something. I dont want to play something one way in this episode, then you have an idea of something else later on. And he said, I dont know yet. Im making it up as I go along. He has a main story arc, and he has some ideas, but he hadnt really decided a lot of the Cylon characteristics and the Cylon story. My character has been known from the start as a Cylon, unlike the Boomer character whos a sleeper agent so she has her own made-up history in her mind that she can play off of. But Number 6 is a Cylon to the core, and he hasnt decided all of that yet. So I just have to put my faith in him and go into it blindly and just play it episode by episode.


How has the new show differentiated itself from the original series?

Its quite a drastically different show from the original, and it has more to do with society. You have the original if thats what you want to watch. If we just tried to redo that one, it wouldnt necessarily work in todays world because society is darker now. Theres a war going on now, youre exposed to more in the news, you see death and destruction all the time. Theres more violence on shows, more sexuality on shows, so people are more attune to it. And I think if you strayed away from all that, it might seem too camp nowadays.


Did you know what you were getting into with the Battlestar Galactica fandom for the previous series?

I wasnt fully aware of it. I grew up without a television and was kind of sheltered in that way, not really exposed to a lot of film and television. But I learned very quickly how passionate people were about the original series, and that was one of our worries in the beginning with the mini-series. I mean, Wow, are we going to have people boycott this? And we did! We had a lot of people boycott it, but then some heard that the mini-series was really great, and then they kind of changed their tune and decided to watch it—and have now become fans of the series. Youre always going to have some who refuse to watch it, and some who dont like it, but then you may gain some new fans as well who arent typical science fiction fans.


Have you had any direct contact with fans of the show?

Not too much yet, because since the show started airing Ive been working on another project (Mem-o-re with Dennis Hopper), so Ive been immersed in another film and havent been out there too much. But Im going to start doing a couple of conventions this year. I have one in London at the end of April, so thats when Ill get a little more direct contact, I think.


Do you fear or look forward to eventually becoming an action figure?

I think thats great! I would love to have a little action figure of myself how fun! But I think the key for me is to do other projects as well. I do fear getting stuck in one mold and not being able to move beyond that. As an actor, whats the most fun is being able to play vastly different roles. I hope Battlestar goes as long as it can go; I dont see the harm in becoming an action figure and being so well known as that character, if I have some other things to keep it in balance.

Blade Runner logged this Intel at 11:32 AM

Space Invaders
Source:TV Guide

Hard to believe it, but the sci-fi series that surprised everyone with its dramatic quality and addictive story lines is already gearing up for a two-part season finale (March 25 and April 1 at 8 pm/ET). Pick up the newest issue of TV Guide for a look behind the scenes of Galactica and the next seasons spoilers (who can wait until July?). Here, four of your favorite space wanderers reveal what they hate and love about making the show, and what almost kept Adama from joining the crew. — Ileane Rudolph

Katee Sackhoff
Sure, playing a sci-fi hero takes stamina and agility, but playing a Battlestar Galactica pilot also takes a strong stomach and a steel butt, according to Katee Sackhoff, who plays top-gun Kara Starbuck Thrace. And claustrophobes, dont even bother. The Viper scenes are bad, says Sackhoff, who spends hours filming in the fighters cockpit. Youre in this small place in a hot rubber suit and a helmet, and the cockpit is closed. Plus, theres air rushing on your face putting you to sleep, and youre on your butt forever! But being stuck in the Cylon Raider vessel is even worse. Im in this sweaty suit, on my belly, and theres gross slime all over the ship that gets in everything. It takes three washings to get it out of your hair. And it got worse, she recalls, I had to put one of those veins thats supposed to drive the ship in my mouth. I already had the flu from [being cold while shooting] scenes on the planet where I was downed, and then I had to put those slimy things in my mouth! It was like, do a scene, throw up, do a scene, throw up.

Mary McDonnell
When it comes to Colonial One, the plane that houses her character President Laura Roslin, Mary McDonnell wishes she could exert some executive privilege of her own. Ive got to believe that Air Force One is better than this plane, she complains. This plane is the bane of my existence. The ceilings are so low that they cant light it well. I said, Its a good thing [Laura] has cancer. Cmon, youre putting a middle-aged woman in high-definition video in a plane thats too small to light. Why dont you just shoot me in the foot? Her solution: Take the damn roof off. On the other hand, she cant wait to film scenes on the Battlestar set. I remember saying to Eddie Olmos one day, I look so good when I come to your house. The colors are earthy and the lighting is wonderful. We all look so good there, and Im stuck on a white, cold, empty airplane.

Grace Park
Theres one particular benefit gained with her double roles, says Grace Park. I get two love interests, brags the portrayer of pilot Sharon Boomer Valerii, whos unaware shes really a Cylon robot, and her Cylon twin, also known as Sharon. Do the guys give her a hard time about her extracurricular double-dipping? Theyre male, whaddya think? Aaron Douglas (Chief Petty Officer Tyrol) will get all hurt and betrayed, she says with a laugh. Seriously. When Im with Tahmo Penikett (Karl Helo Agathon), Aaron looks at me from the corner of his eyes and says things I probably shouldnt say, like, Two-timing bitch! Not surprisingly, the two actors have pressed Park to compare their kissing skills. Aaron asked me after an interview about that, she recalls. I said, I told them that youre a great kisser! The best kisser, better than anyone I know. True? The girl aint talking.

Edward James Olmos
If Star Trek went to war with Battlestar, who would win? If Edward James Olmos were the referee, thered be no contest. After his first science-fiction project, 1982s Blade Runner, the veteran actor had no interest in doing any more. He even turned down two roles beloved by sci-fi fans everywhere: Khan, the crazed warlord played by Ricardo Montalban in Star Trek II: The Wrath of Khan and Star Trek: Voyagers Captain Janeway, eventually turned into a female for Kate Mulgrew. I had no desire [to do more science fiction], until I read the Galactica script, which made me get involved, he says. But I told them, if they showed one four-eyed monster or alien, I was going to faint on camera, and then Id leave the show. I dont want to be in that form of theatricality. They said, No, its a dramatic series, as dramatic as West Wing or NYPD Blue. Its a different genre.

Blade Runner logged this Intel at 7:38 AM

Monday, March 14, 2005

TV Guide Spoilers for Season Two
SPOILER WARNING

Can't Wait for the New Season?
Take an Exclusive Peek into Galactica's Future

Come July, when Battlestar Galactica returns with 10 new episodes, the destinies of crew members and their spacecraft will be up in the air (and, seemingly, down for the count). Till then, here's six tantalizing tidbits:

1. After a shocker next week, someone not cut out for the job will be thrust into a commanding position.

2. "An epiphany strikes our heroes," says executive producer David Eick. They begin to understand that "It's not in their best interest to continue running," he says. Expect a major battle on the planet Kobol.

3. President Roslin's cancer-induced visions will lead her to become something of a prohet to her supporters. Like Moses, she wants to lead her flock to the promised land--in this case, Earth.

4. We'll learn why the Cylons wanted one of their own--the Sharon clone--to make a baby with a human.

5. No longer the confused wimp under the intoxicating control of Number Six, a newly energized Baltar will start gaining power and driving his own agenda.

6. Stranded on Caprica, top gun Starbuck will undergo profound changes in her kill-'em-on-sight attitude about the Cylons. For now, at least.

Blade Runner logged this Intel at 5:45 PM

Sunday, March 13, 2005

Ron Moore's Q & A Blog- March 12, 2005
Source: SciFi

"Hello, Ron. I have a question about Baltar you ought to answer. One of the things I liked about the original series was the way Baltar did all his chair-swiveling. Boy, he sure looked evil way the frak up there on that big pedestal. And then Lucifer or some other Cylon would come in, and there would be those big, dramatic polytonal chords, and then Baltar would slowly swivel around in his chair to face whatever had come into his room because before they came into his room, he was facing a wall, or something off screen-- who knows what was there. I'm sure there's been a lot of speculation about it. But you see, when you made the new Baltar the way he is-- that is, a non-- chair-swiveller, I didn't think the show could work at all. You've got to have a chair-swiveller in it, and there hasn't been one-- until now. Just as I'm getting used to Callis NOT being a chair-swiveller, there he is at the end of "Tigh Me Up" SWIVELING IN HIS CHAIR! Well, I must say I was very pleased with that, and so now I must ask: Was James Callis's chair-swiveling scene a tribute to John Colicos's chair-swiveling?"

RDM: Chair-swiveling is an old and honorable avocation for any accomplished and self-respecting villainous personage. How could its inclusion be anything but a loving tribute?

"Ron, I was just wondering if you were at all influenced by the posts you read on the message boards."

RDM: I'm interested in how people respond to the show and I suppose on some level it must influence me in some way as I go about writing and producing the series, but I'm not sure in what quantifiable way. I mean, I know there are large cadres out there with strong feelings for and against the Baltar/Six story, the Caprica story, Starbuck, etc., but I can't honestly say that anything I've read has caused me to change any of those elements one way or another. I basically just try to tell the best story I can according to my own lights and hope that the rest of you agree.

"My question to you would be this; How do you view Fan Fiction? Is it something that you dislike, especially now that it is starting to be created with what could be called, your reimaged Battlestar Galactica Universe, or do you encourage people to express themselves (with in limits) like Gene did with with the fan fiction for Star Trek? Is it something that writers are able to glean potential story elements from or should the fans just leave the stories to the writers of the shows? Where would you draw the line on fan fic for Galactica."

RDM: As far as I'm concerned, fan fiction (that is, fiction written for fun, or non-professionally) should feel free to go in whatever direction it feels like going. If you want to write a story about Starbuck being Adama's illegitimate daughter and how she's carrying on an illicit affair with Laura following an accident which flings them across time and space to the Ponderosa Ranch, be my guest. It's certainly no further out there than the K/S stories in Trekdom which detailed the sexual and romantic liasons between one James Kirk and one Mr. Spock.

If you're inspired by this series and these characters and you want to turn that inspiration into artistic expression, I've proud and hope you enjoy the process. (And it should go without saying that there is a very bright and bold line between writing for fun and writing for profit and only the foolish would care to mess with NBC-Universal's legal department.)

"Quick question, not actually BSG-related. In your recent post in your blog you mention that you grew up in Central California. I was just wondering if you'd care to share which town. I grew up in Merced, myself..."

RDM: I was a neighbor of yours. I grew up in Chowchilla.

"There are a lot of references to Republican Rome in BSG, in everything from the names Gaius and Valerii to the Religion to the democrato-militaristic govennment. Has this been done on purpose, or is it just a lot of coincidences?"

RDM: The original series used elements of various ancient civilizations and I wanted to continue that element, but I didn't feel that the Egyptian motif, which they used predominantly, would be particularly resonant in this series. Greco-Roman influences were also present in the orginal, and I felt that Roman influences in particular would have resonant value given today's American society both in the republicanism (lower-case) and in the portrait of a culture that had ascended to a certain plateau, had driven its enemies from the field, proclaimed itself the guardian of truth and justice and yet was still prey to the same frailties and failings of all other human endeavors.

"If we go too far with this are you prepared to deliver Captain Kirk's 'Get A Life' speech?"

RDM: I should be so lucky as to watch you guys get to that point.

"Twelve cylon models and twelve Olympian gods seems too much of coincidence to me. Is there any connection? "

RDM: And Twelve Colonies. Coincidence....?

"I would like to know, what happened to the group of people left behind with Helo, from the mini. Also, during times of conflict, the military often calls upon the old retired service members. It would be interesting, to see some old time Viper pilots in the seats. In this conflict, everyone is a participant. I would think it to be a good ideal to have everyone trained up for military duty. "

RDM: The fate of the people left behind on Caprica and the other Colonies was a grim one and we'll be dealing more with that next season. With fewer than 50,000 survivors, it's always going to be a judgement call as to which occupations and avocations are represented in our fleet. This very issue came up when we first started talking about "Act of Contrition," where the question of the availability of pilots, and specifically old Viper pilots, came up in the writers' room. I felt that I didn't want the old pilots sitting around for us to capitalize on and that I wanted to be very careful when we had a story where we "happened" to find the very skills we needed in the survivor population. The press corps, for example was established as being aboard Galactica in the opening of the pilot, so the continuation of them in the fleet felt plausible and reasonable to me while also allowing us to play certain elements of media and culture in the show.

"Are there any plans in the pipeline to recruit authors and release a series of BSG v2.0 books? Of Particular interest would be the first Cylon war."

RDM: Books are in the works and the Cylon Wars are part of the possible subject matter.

"Tangentally, will the BSG bible ever be streamlined and built for public release? (perhaps as a companion to the series?)"

RDM: Possibly. A lot of the background information on the characters is starting to come out in both Seasons One and Two, so there might come a point where I'd let the bible be put out there for public consumption.

"I am aware that you intend to addressthe logistical problems the fleet suffers, however, do you intend to explore indepth the consumable production vs consumption directly. Considering the tonnage dictated by Baltar in one of the episodes one would think that every possible space would be converted to hydroponic grow ops (of the legal variety)? There seems to bee an awefull lot of wasted space on some of these ships."

RDM: This has always been in the back of my mind and I'd like to bring it up in the show at some point. (And they're probably growing the illegal variety too.)

"Could you please explain the writing process for an extra season stroy arc if you don't know if you are going to be signed from one season to the next? hopefully the Sci Fi network will come to there senses and offer a multi year contract. "

RDM: I just proceed as if it were already a done deal. I wrote the miniseries as a pilot for a series, without ever considering how to cover my bases if it didn't get picked up and I wrote the Season One finale as a cliff-hanger without any backup plan whatsoever if we didn't return.
Sometimes you just gotta roll the hard six.

"What are your thoughts on the decision to aire BSG in the UK before North America? I personally think the the pirating of the episodes is hurting the ratings."

RDM: I think, on balance, it was very positive for the show. Despite the pirating and file-sharing of the shows from the UK, which may or may not have depressed ratings slightly, I think that the UK exposure and earlier critical response helped to build momentum and interest for the series premiere in the US. I'm happy it worked out the way it did.

"Are you still working with Zoic for design work?"

RDM: Absofrakkinglutely.

koenigrules logged this Intel at 10:33 PM

Saturday, March 12, 2005

RESHAPING THE FANTASY
Reflections on modern sci-fi, and why the new ‘Battlestar Galactica’ is perfect for our times
Source: LA City Beat
By MICK FARREN ~

As Battlestar Galactica successfully flees the Cylon menace under the command of Edward James Olmos on the Sci-Fi Channel, it also gauges how far our fantasies and visions have mutated over the quarter-century since Lorne Greene was the Battlestar patriarch. The first Galactica took flight at the end of the hedonist Carter/Quaalude 70s, all big hair and disco costumes. Owing much to Star Trek, even more to Star Wars, and a little to Studio 54, its mission was in a universe that was fecund and fertile, where every planet had a bipedal life form – although some were nothing short of dopey, as in the episode that featured silver Vikings with winged helmets, and bad Mylar architecture.

The mood was silly but optimistic. The Cylons were bad but would ultimately be eluded, if not defeated. The 2005 version has no such guarantees; the fleet of refugee ships crosses a bleak and threatening emptiness. The Cylons have infiltrated even the basic software, and can look exactly like us anytime it furthers their agenda. Nothing and no one can be trusted, and the truly depressing kicker is the revelation that we made the Cylons in the first place. Humanity sowed the seeds of its own destruction, and is now reaping the exterminating whirlwind.

Getting a tad portentous about a TV drama show? Maybe, but Ive always figured that the underlying themes of fantasy entertainment can expose vital signs of the psychological (and maybe pathological) condition of the mass condition. (And here Im using the term fantasy entertainment to lump together everything from space opera to Tolkien, because, although styles and fans may differ, the social function is the same, be it cyberpunk or unicorns in Narnia.)

The 20th-century debate was whether science fiction/fantasy entertainment was mere escapism or a medium for social comment. Was Robert Heinlein a pop Ayn Rand advocate of capitalist national socialism who was unfortunately embraced by David Bowie and the Manson Family? Did Arthur C. Clarke intimate that the cosmos was infinitely beyond human imagination, and divinity could exist as a black monolith or the silver saucers of Childhoods End? Or were both merely tellers of amazing stories?

The easy answer is that fantasy entertainment was both comment and escape, multitasking, sometimes in the same production. The distinction hardly mattered. The function of a book, graphic novel, film, or TV series could be a wake-up call or a sanctuary. The need for either was shaped by the same social reality, and its in the need that you read the collective Jungian pulse. Would Anne Rices Vampire Chronicles have hit the mass imagination if they hadnt spanned a time of pop gender confusion and HIV? (And, if the cult of celebrity wasnt so out of hand, would she have had a public shitfit on Amazon.com?) And would Bills showstopping musings about Superman, before his death in Kill Bill Vol. 2, have held an audience – who came for CGI swordplay and full auto firepower – if that audience wasnt subjected to a regular diet of inner-vs.-outer, Dr. Phil-style psychobabble?

The new Battlestar Galactica was conceived, produced, and aired during the Bush II era. The old show may have debuted under Carter, but it was canceled as the Reagan revolution dawned. It aired in a time of transition, in both society and sci-fi itself. The last great conservative debauch was heralded by no less than the movie Alien, and, in very empty space, the silent screaming started. In that film, humanity had been traversing the cosmos for maybe a century and had failed to find a single alien life form. On the mining vessel Nostromo – named for a Joseph Conrad plague ship – Harry Dean Stantons character smoked dope to maintain his equilibrium, Yaphet Kotto argued union contracts, and, when first contact was finally made, the ET turned out to be bug-nasty, ultra-lethal, and bleeding corrosive acid. We were not alone but suddenly wished we were. (And the alien was only brought on board at the underhanded instigation of a mega-greedy corporate conglomerate. What could be more Reagan era?)

Five years after Alien, in the sci-fi-significant year of 1984, William Gibson published the novel Neuromancer, and suddenly science fiction – previously lost in space or in post-Hobbit, dragon-infested, paperback medievalism – had a relevance and even a future. Fantasy entertainment found, with no small relief, a future when the Sex Pistols had claimed there wasnt one. But cyberpunk dystopia had a sadly short shelf life. Reality caught up too fast. Speculative future cyberscapes became The X-Files realtime. Aliens didnt crawl in the air ducts of the Nostromo, but operated out of secret NSA installations in Virginia. Bill Clinton may have been in the White House, but Y2K was bearing down, and it was hard to tell the creative from the psychotically paranoid. John Shirley was no longer writing about black helicopters; the damned things were flying over Montana and frightening the Aryans. Whitley Strieber swore the novel Communion was about his real abduction by aliens, and many started wondering if speculative fiction would have any place at all in the 21st century. The future was now, and the speculation was over. Who could think up anything more grotesque than Kim Jong Il? It seemed that only the religious right could turn that trick, as millions of demented semi-literates snapped up copies of Tim LaHaye and Jerry Jenkinss dozen or more Left Behind novels and all the spin-offs.

Some, like Poppy Z. Brite, John Skipp, Jack Ketchum, and Joe R. Lansdale, matched the horror with the even more horrid. From Buffy to Francis Ford Coppola, a retreat started into the polymorphous and often gothic paranormal, or alternative worlds of Newtonian retro-kitsch. The term steampunk was coined to describe recherché fantasies in which everyone wanted to be Victorian, and that culminated with Alan Moores stunning comic book series The League of Extraordinary Gentlemen, in which heroes and villains of 19th-century pulp combined to ultimately repel a Martian invasion, but were torpedoed by the worst fantasy movie ever.

When I made my own modest venture into alternative-world work with the 2004 novel Kindling, I wondered if somehow it was a cop-out. Was I pulling the blankets of fantasy over my head and demanding the Bush world go away? In that case, I was no better than the huge and generally tedious resurgence of medievalism provoked by Peter Jacksons The Lord of the Rings. But then I decided that wasnt true. As a youth, Philip K. Dicks The Man in the High Castle, in which the Nazis won World War II, set me thinking hard about moral adaptability. Attempting to create a world in which the Crusades never happened, or the Roman Emperor Constantine had never sanctioned Christianity, or Elvis had looked after his health, is both intricate and fun, and does pose the question: Is the mutated fantasy world better or worse than the one we really inhabit?
The sociological appeal of the new Battlestar Galactica is that its a second-generation alternative fantasy totally defined by the updating of its faux-history; a dumb TV show of yesteryear reconfigured into something that may still be dumb, but – by luck, judgment, or market research – is also a depressingly accurate analogue of these forsaken and threatening times. The message: Life is grim, and trust no one. The only nobility is self-preservation. One of the characters even has cancer, for chrissakes. Cant deny its apt, though, and at least worth the Zen-pop goof of taking it seriously for an L.A. minute

Blade Runner logged this Intel at 11:02 AM

Friday, March 11, 2005

BATTLESTAR GALACTICA: SEASON 1 CD Coming Out!
Source: LaLaLandRecords

La-La Land's SCI FI SUMMER! We proudly announce our upcoming summer 2005 release of BATTLESTAR GALACTICA: THE SERIES - SEASON ONE. A knockout collection of the best musical moments from the first season of the smash hit Sci Fi Channel television series. Also coming later this summer, FARSCAPE CLASSICS: VOLUME TWO - another special, Limited Edition release of two more complete episode scores from the beloved series.

koenigrules logged this Intel at 2:02 PM

'Galactica' thrills with meaty plots
BY: MAUREEN RYAN Source: ChicagoTribune

What will it take to get you to check out "Battlestar Galactica," if you haven't already?

Would it help to know that Friday's episode of the enthralling new series (9:30 p.m., Sci Fi) is one of 2005's best hours of television, regardless of genres?

Certainly, this reimagined take on the late '70s "Battlestar Galactica" series has everything sci-fi fans could want -- a great premise (humanity's remaining 50,000 souls on the run from the mechanized Cylons), gritty atmospherics and terrific outer-space action scenes, including one in Friday's episode that recalls the thrilling ultimate battle of the very first "Star Wars" movie. And for fans of the original series, the fact that Richard Hatch of the first "Battlestar" returns on March 18 for an effective appearance as activist Tom Zarek should also be a draw.

But don't let the one-sentence description of this Friday's installment -- the "Battlestar" fleet launches a raid on a Cylon-defended fuel depot -- lead you to believe that the show is just another outer-space shoot-'em-up. Sure, the show does the action-adventure stuff very well, but "Battlestar's" real strengths are in its meaty, character-driven plots.

In Friday's episode, hotshot pilot Starbuck (Katee Sackhoff) must deal with being grounded because of a knee injury -- this time out she must use her head to plan the mission, not use her almost foolhardy bravery to lead in the field. The president, Laura Roslin (Mary McDonnell), has to figure out how to solve the fuel crisis and fight off her own encroaching (and secret) illness, the treatment of which is causing hallucinations -- which may actually be related to religious prophecies.

Twitchy scientific genius Dr. Gaius Baltar (the delightful James Callis) is still trying to hide the fact that he's in the thrall of the Cylons, but given that the Cylon agent who haunts his thoughts takes the form of the curvy Tricia Helfer, who can blame him? What's surprising about their relationship is that in Friday's episode, titled "The Hand of God," we get even more hints that sexy No. 6 -- and all Cylons -- think they're part of a divine plan. Even Baltar, a charming but thoroughly self-serving egoist, starts to think she might be right.

This new "Battlestar" series, which has already been renewed for a second, 20-episode season, isn't just about killing the alien bad guys -- it's about love, sex, survival, freedom and friendship, and finding out that the bad guys might be good guys, or maybe even God. If you dismiss the show because you don't think you like sci-fi TV, you're missing out a stellar drama with an increasingly impressive cast.

koenigrules logged this Intel at 6:52 AM

Wednesday, March 09, 2005

'Galactica' Breaks Podcast Barrier

LOS ANGELES (Zap2it.com) If you don't know what "podcasting" is, you're probably not the only one. On the other hand, if you don't know what podcasting is, you may not be a regular Sci Fi Channel viewer or a fan the cable network's hit new drama "Battlestar Galactica." Sci Fi is hoping that there's plenty of audience overlap when it partners with "Galactica" executive producer Ronald D. Moore on the first original podcasting content ever offered by a major television network.

Moore has provided DVD-style audio commentaries to accompany the season's final five episodes of "Galactica." Currently available in MP3 format on Sci Fi's website, the audiocasts are meant to be watched in tandem with the episodes leading up to the already-renewed drama's Friday, April 1 season finale.

Podcasting merges the basic principals of a radio broadcast with Apple's iPod, the market's most recognizable digital audio player. Users can download broadcasts in the MP3 format, transfer them to their MP3 players and then listen at their own convenience.

The "Galactica" podcast and Moore's heavily visited Sci Fi blog are just a few of the ways that networks have are attempting to integrate the Internet and technological evolution into their regular programming plans. This Monday (March 7), for example, Showtime offered the premiere of the Kirstie Alley comedy "Fat Actress" as a free download, a strategy somewhat similar to The WB's use of AOL to stream the "Jack & Bobby" premiere this fall.

Already Sci Fi's most popular series, the second season of "Battlestar Galactica" will premiere in July.

In other Sci Fi news, Carmen Electra has joined the vocal cast of the network's raunchy animated comedy "Tripping the Rift." Electra ("Method & Red") replaces Gina Gershon as the voice of brilliant love slave Six.

koenigrules logged this Intel at 12:11 PM

Monday, March 07, 2005

Katee Sackhoff Audio Interview

A recording of an interview conducted with Howard Margolin, host of Destinies, the Voice Of Science Fiction at Icon 23 (www.iconsf.org) with this talented actress discussing her role as Kara Starbuck Thrace in the new Sci-Fi Channel series. An avid Star Trek fan, she was part of the cast of The Education Of Max Bickford with Richard Dreyfuss.

Interview.MP3

Blade Runner logged this Intel at 8:21 PM

HIGH-FLYING FEBRUARY FOR NBC UNIVERSAL CABLE GROUP
Released by NBC Universal Television Studios Source: thefutoncritic

USA IS THE #1 CABLE NETWORK FOR ORIGINAL PROGRAMMING IN FEBRUARY 2005 WITH THE #1 SERIES 'MONK'

SCI FI SCORES ITS HIGHEST FEBRUARY HOUSEHOLD RATING EVER AND IS UP 22 PERCENT IN 25-54 AND 29 PERCENT IN 18-49 VS. LAST FEBRUARY

BRAVO GROWS BIGGER AND YOUNGER IN ITS TOP-RATED FEBRUARY EVER

ORIGINAL PROGRAMS LIKE 'MONK,' 'BATTLESTAR GALACTICA' AND 'PROJECT RUNWAY' PACE NBCU'S BREAKTHROUGH MONTH

BURBANK, Calif. -- March 7, 2005 -- The cable networks of NBC Universal have concluded their most successful February ever, with USA, SCI FI and Bravo each hitting significant milestones of growth and competitiveness, according to in-home viewing figures from Nielsen Media Research.

USA Network finished the month of February as the #1 cable network for original programming in the key demographic of adults 25-54. USA's performance was led by the hit series "Monk," the #1 original program on basic cable in February in adults 25-54, averaging 2.5 million viewers in that key demographic and a 4.0 household rating for its Friday 10 p.m. first-run episodes. Four of the top five series program telecasts on cable in February in adults 25-54 were episodes of "Monk." Add to those four "Monk" episodes, two USA telecasts of "Law & Order: Special Victims Unit" and two episodes of SCI FI's hit series "Battlestar Galactica" and NBC Universal Cable networks account for an astonishing eight of the top ten series program telecasts on cable in February in adults 25-54.

Paced by the phenomenal performance of the original series "Battlestar Galactica," "Stargate Atlantis" and "Stargate SG-1," SCI FI has just wrapped a banner month in February 2005. The network posted remarkable growth of 29 percent in adults 18-49 and 22 percent in adults 25-54 versus February 2004. SCI FI also achieved explosive growth of 40 percent in the valuable adult 18-34 demographic. With an average delivery of 795,000 adults 25-54, SCI FI ranked #5 among all basic cable networks in February. And the SCI FI series "Battlestar Galactica" ranked #2 among all primetime cable programs in February, second only to USA's "Monk"(excluding sports and series that were limited to three or fewer telecasts in February).

Led by its original series "Project Runway," "Queer Eye for the Straight Guy" and "Celebrity Poker Showdown," Bravo has just concluded it best February ever in both adults 18-49 (315,000) and adults 25-54 (322,000). Versus last February, Bravo's primetime audience has increased a remarkable 31 percent in the key demographic of adults 18-49 and 18 percent in adults 25-54. Bravo was the second-fastest growing basic cable network in primetime this February (excluding networks in less than 60 million homes).

And while it was growing bigger, Bravo was growing markedly younger, posting a 69 percent growth surge in adults 18-34 and lowering its median age to 41.5, down four years from last February and seven years from February 2003.

In another February milestone for Bravo, the finale of "Project Runway" on Wednesday, Feb. 23 set a time-period record for the network and delivered Bravo's top ratings results of the 2004-05 season (1.183 million adult 25-54 viewers, 1.313 adult 18-49 viewers, 2.010 million viewers overall). "Project Runway" concluded with more than five times the adult 25-54 viewership and total viewership with which the series premiered on Dec. 1 and six times the adult 18-49 audience. From 8-11 p.m. that night, Bravo averaged 996,000 adult 18-49 viewers, ranking #1 among all cable networks.

And the cable networks of NBC Universal Entertainment dominated Friday nights in February with SCI FI Channel and USA Network's acclaimed original series "Battlestar Galactica," "Stargate Atlantis," "Stargate SG-1" (all on SCI FI) and "Monk" (on USA).

In a remarkable run, SCI FI and USA have ranked either #1 or #2 in both adults 18-49 and adults 25-54 on every Friday night of the February sweep (Feb. 4, 11, 18 and 25). In fact, since the Jan. 14 premiere of "Battlestar Galactica," SCI FI has been the #1 cable network in adults 18-49 on four out of six Fridays (ranking #2 the other two) and was the #1 cable net in adults 25-54 on five out of six Fridays (ranking #2 once). Similarly since the Jan. 21 premiere of "Monk," USA has typically ranked #1 or #2 in both adults 18-49 and adults 25-54 (and has never ranked below #3) out of all 66 measured cable networks.

And with their original programming SCI FI and USA have all but taken over the Friday cable program rankings. Friday, Feb. 25, was typical, as SCI FI and USA together accounted for four of the top five and seven of the top 10 programs on cable among adults 25-54.

koenigrules logged this Intel at 4:43 PM

Cinescape Review for Tigh Me Up, Tigh Me Down
By: JASON DAVIS
Source:Cinescape

When Dr. Gaius Baltar develops a means of detecting Cylons in the fleet, President Laura Roslin and Commander William Adama decide that high-ranking personnel in key positions should be Baltars first test subjects. While Roslin suggests Adama go first, the commander has other ideas when he learns of an unexpected passenger discovered aboard the Rising Star.
When Adama brings Colonel Tighs wife, Ellen aboard the Galactica, Mrs. Tighs negative effect on everyone she comes in contact with quickly becomes apparent as she drives her husband back into the bottle while making unsubtle advances toward Captain Lee Adama. At a dinner also attended by the President (whom Mrs. Tigh insults), the Commander (whom Mrs. Tigh later alleges molested her), and Lee Adama (whom Mrs. Tigh fondles with her foot under the table), the full extent of Mrs. Tighs character is revealed, and Commander Adamas concerns that she may be a Cylon sent to get close to Colonel Tigh are lent credence by her mysterious and unexplained appearance along with her curiosity about Earth.
Tigh Me Up, Tigh Me Down, as the title suggests, centers on Galacticas executive officer, Paul Tigh, but the thematic thrust of the story is one of identity and loyalty. While the whole of this revisionist series has focussed on the post 9/11 concern of the enemy among us, this episode goes one step further with the notion of developing a way to prove ones identity one way or the other. It asks who has the right to order such tests and what scenarios warrant them. In an environment like GALACTICAs, where the stakes are the survival of the human race, these questions come loaded with the threat of extinction, and the political maneuverings of Roslin and Adama are well handled given the delicate balance of power between the political and military wings of the fleet.
The heightened paranoia brought on by the possibility of identifying Cylon agents is ably conveyed by Olmos skilled direction, which eschews flashy camera moves in favor of studying the characters faces in lingering close-ups. After Roslin has voiced her suspicions about the Commander, his unscheduled Raptor journey milks every ounce of paranoid suspense, even down to revealing a womans legs at the back of his ship when he returns to Galactica. Could this shot be subjective to Adama like Baltars romantic encounters with Number Six? And speaking of Baltar, the scientists tests to identify Cylons take a back seat to the concerns over Tighs wife and Adamas identity, but the C-plot has its own allure. Baltar, depressed by the scope of testing everyone in the fleet and the decades necessary to conduct the tests, finds a solution to his problem typical of the personality that led humanity to ruin and offers an excellent act out for the episode.
The addition of Ellen Tigh to the recurring roster of characters brings with it excellent comedic possibilities, not to mention the possibility of treachery close to the Galacticas command staff, and Baltars solution will no doubt result in monumental consequences as the series continues.

GRADE: B

Blade Runner logged this Intel at 10:26 AM

Sunday, March 06, 2005

Can sci-fi fans face the future?
BY: ROB SALEM Source: the toronto star

The sad truth is, sci-fi fans (of either sex) can also be their own worst enemies.

Take the case of Battlestar Galactica - on the surface, an unparalleled sci-fi success story, having magically morphed from a cheesy, '70s-style TV ripoff of Stars Wars into the biggest hit in the history of both Sci Fi and Space.

As a result, the reimagined space epic has been renewed for an extended second season of 20 episodes, to start shooting in Vancouver later this month.

"It's exciting," burbles Katee Sackhoff, the actress who has emerged as a standout star in her role as the cigar-chomping ace fighter pilot, Starbuck.

"The fans are really enjoying it, I think. And by that I mean the true sci-fi fans, as opposed to the ones who were just in love with the old show. Because it isn't the old show. It's nothing like it, really. It just shares the same name, and the names of some of the characters."

And therein lay the problem. For years, fans of the original show - with original star Richard Hatch (not the Survivor champ) as their vocal point-man - had been agitating for a revival of Battlestar Galactica ... as it originally was.

What they got instead was an all-new, grittier, more dramatic and credible take on the premise, further elevated by the presence of actors the calibre of Edward James Olmos, Mary McDonnell and Canadians Michael Hogan and Callum Keith Rennie.

Sackhoff almost immediately became the focus of hardcore fan outrage after daring to take on a role - the daredevil Starbuck - that had originally been played by a man (The A-Team's Dirk Benedict).

"I didn't get it," Sackhoff ruefully recalls. "I really just didn't get it. It was frustrating. I mean, to go from winning this part over so many girls that auditioned for it, to immediately, before we even started shooting, taking the brunt of all this misdirected rage.

"What bothered me was when they started attacking me as a person. I mean, they don't know me from freakin' Adam, and they're sitting there saying that I slept with the casting director, and that I'm fat ..."

All now has apparently been forgiven. By the fans, at least. Even Hatch has embraced the new Battlestar, and has appeared several times in a recurring role.

Sackhoff says her face-to-face fan encounters have been markedly and surprisingly upbeat.

"The person who sits there on the Internet attacking you is the first person to come up to you at a convention and love you," she says, laughing. "I would be really surprised if anyone ever came up to my face at a convention to say, `I really, really hate you, you fat-ass.'"

And if they did?

"It would only motivate me more. Because at the end of the day, I really don't give a shit. It's all about the work. And this is a terrific show - incredibly well written, brilliantly acted. And it just keeps getting better and better."

She has to excuse herself now - surrounded by her boxed belongings, she is in the middle of moving into the new house that Starbuck and Battlestar have paid for.

koenigrules logged this Intel at 9:33 AM

Saturday, March 05, 2005

Ron Moore's Blog 4th March 05

Thank you, Harlan Ellison

There are people you do thank and people you should, and it occurs to me that now is a good time to finally move a man who had a great influence on my life out of the later category and into the former. That man is Harlan Ellison, one of the greatest speculative fiction writers this country has ever produced and a legitimate legend in his own time. Ironically, its not his writing which influenced me, his stories nor his style, although I was an avid reader of his work, notably Chasing the Nightmare I Have No Mouth and I Must Scream Harlan Ellisons Watching and The Glass Teat. In truth, the man influenced me in two encounter which seemed trivial at the time, but which turned out to have been pivotal moments in my life as a writer.

As readers of this blog know by now, I was a born and bred Trek fan growing up in the mid 1970s, watching the show in strip syndication and always on the lookout for the odd piece of merchandising that might find its way into my neighborhood bookstore. But growing up in a small town in central California, Id never had the opportunity to come anywhere near that legendary gathering of geekdom – the convention. So it wasnt until I was a freshman at Cornell in 1983, that I had my first chance to pay for the privilege of sitting in a badly lit auditorium and listen to panel discussions on the feasibility of interstellar travel and marvel at just how many people had the time and resources to construct their very own Gorn costumes, complete with universal translator at the college in Stony Brook, New York.

I do remember wandering a dealer room for the first time, pondering the cost of a fan-produced Phaser II, and seeing a screening of The Dead Zone but what really stuck with me, what ultimately had a far greater impact on me than anything else was when Harlan Ellison took the stage and began to read a piece hed just written to the gathered. The piece was about a recent incident in the nations capitol which had garnered coast to coast live coverage in that period of embryonic cable overkill. A man had driven a van which he claimed was filled with explosives to the base of the Washington Monument and threatened to blow it up unless there was an end to the nuclear arms race. Police snipers ultimately shot and killed him and discovered that he had no explosives.

Harlans piece that day in Stony Brook condemned not the disturbed man in the van, but the actions of the police who killed him and more broadly condemned us all for focusing more on his empty threat of blowing up a piece of stone than to the very real threat of nuclear holocaust he wanted to end.

It was not a popular sentiment. Fans, heretofore fawning and sycophantic to Harlans every word and bon mot, began to boo and hiss, some even yelling obscenities at the stage. To be sure, I shared the feelings of most in the audience. I felt that the police had acted in a mostly responsible way, that they had no way of knowing whether or not there were really explosives in the van and that his death was regrettable, but ultimately of his own making. But what struck me that day was not the political sentiment Harlan expressed, but his willingness to say something in public that was unpopular, to challenge the assumptions of his most devoted followers and his blunt refusal to back down in the face of their outrage. He gave not an inch, refusing to bow to the rising tide of anger in the audience and continued to read his essay in full knowledge of the fact that it was probably going to cost him more than one book sale at the dealer table later that day.

I remember being confused, angered, and somewhat disappointed by what one of my literary heroes had stood up and said. How could he think that? I said to myself and shook my head at what seemed like an inverted moral stance. I never read the piece itself, and to this day I have only the vaguest memory of him reading it out loud, but what struck me then and what sticks with me to this very day is the image of a writer standing on principle in the face of overwhelming disapproval. Harlan had made a career, admittedly, of being the skunk at the party, of saying things he knew would piss people off, but never for the easy shock value. He had an opinion and he wasnt afraid to state it, regardless of the consequences to his book sales or how it made him look in polite society. I can still picture him standing on that stage and shouting against the ocean rearing up against him and it still challenges me to be the kind of writer willing to say the thing that no one else wants to hear.

The man had guts.

The second encounter occurred years many years later after I had become an established writer and had been invited to participate on a panel at the Museum of Television and Radio in Beverly Hills along with several much bigger names, including J. Michael Straczynski and… Harlan Ellison. It was the first time Id met the man and in all honesty, I was too embarrassed to say very much, to him lest I start to gush, so satisfied myself with a simple Hello, I love your work and then we went into the panel.

Now, this panel occurred at a very particular moment in my career. I was working on Roswell as an executive producer, but I was deep into preproduction on the ill-fated pilot Id written for a series based on Anne McCaffreys Dragonriders of Pern books. It had been a difficult and unhappy development process, but we were only five days away from the first day of principal photography. A major problem had arisen, however. The network had commissioned another writer to rewrite my draft over my objections and in my opinion, had eviscerated everything that I loved about the project. I didnt want to shoot that draft and they did. As I drove into the parking lot of the Museum I learned via a cell phone call from my agent that a critical conference call with the network was scheduled to take place the next morning which would determine the fate of the entire project, and when I took my seat on the panel I was frankly distracted by the thought that my very first pilot, my very fist shot at running my own series was in serious jeopardy of coming to ruin right before my very eyes unless I played ball as they like to say.

The panel discussion was fun and interesting and after a while I forget my Pern problems and simply enjoyed being on the same stage with some legendary figures of the genre. At the end, the final question was put to all of us was Do you have any advice for young writers starting out? Its a familiar question, and to be honest, I have a stock response, (which I will someday bore readers of this blog with when I really need material) and I gave it in my usual inimitable fashion, congratulating myself on having held my own throughout the night.

But when the question came around to Harlan, he leaned forward into the microphone, and with all the passion and ferocity I remembered so well from that convention stage in Stony Brook he said:

Dont be a whore!

The world quite literally spun around me under the hot lights and it felt as though the Universe was conveying a message directly to me. It was so simple. Dont be a whore! Dont write crap because they pay you well. Dont put your name on something that you know will suck. Dont sacrifice whatever integrity you have as a writer for a check.

The next day, during the infamous conference call, there came the point my agent had warned me would come, when I either played ball and went with the script I knew in my heart was terrible or my beloved pilot was going to die, and when that moment came, Harlans words rang in my ears like the church bells above Quasimodos head.

Dont be a whore!

I wasnt. The project died. And I have been grateful to Harlan Ellison ever since.

I do not have the mastery of the English language Harlan does, I do not have his brilliance or his gift for story-telling, but Id like to think that Ive been inspired by the fire that burns so brightly in his soul and that its given me at least some of the courage I was lucky enough to see in person on two separate stages.

So thank you, Harlan. Thank
you for being one of the most influential men in my life and thank you for giving me something to aspire to.

Blade Runner logged this Intel at 7:59 AM

Friday, March 04, 2005

Sci-Fi Launch PODCAST
Source: Sci-Fi .com

With the Battlestar Galactica Podcast, you can listen to exclusive commentary by executive producer Ronald D. Moore about each episode, while you're watching it. There are two ways to enjoy this feature: Subscribe to Sci-fi Podcast feed, or download individual audio files. (Beware of spoilers! Although the commentary is provided before you watch the episode, it is meant to be listened to while watching the episode. Listening to it beforehand might ruin certain dramatic surprises.)

New commentary will be posted each Friday.

You can also manually download the MP3 files from SCIFI.COM. Each episode's commentary is divided into five files, one for each segment of the show: the Teaser (the part before the opening credits); and Acts One, Two, Three and Four. Begin playing segment one when the words "The Cylons Were Created By Man" appear on your TV screen. Start each new segment after each commercial break ends

Blade Runner logged this Intel at 1:03 PM

Thursday, March 03, 2005

'SCI FI FRIDAY' SETS WINNING PACE
Released by Sci Fi Source:thefutoncritic

'SCI FI FRIDAY' PROPELS CHANNEL TO #1 IN KEY DEMOS AND ITS BEST FEBRUARY EVER!

NEW YORK, NY--March 1, 2005--This month, SCI FI Channel delivered a 1.1 primetime rating-the Channel's best February ever. Original broadcasts of the unstoppable 'SCI FI Friday' - the Channel's trio of hit original series, the critically-acclaimed 'Battlestar Galactica', 'Stargate Atlantis' and 'Stargate SG-1' - led the Channel to the #1 spot in primetime (Friday, 8P-11P) ratings and delivery for the key demos: P25-54, P18-49, M18-34.

Up 10% in ratings and 11% in viewership over February 2004, SCI FI's prime delivered 1.3 million viewers (P2+) and saw double-digit growth in the highly competitive P18-49 (+29%) and P25-54 (+22%) demos. Further evidence of SCI FI's increasingly solid original programming slate, February is the Channel's best month in P18-49 since March 2003. In addition:

--SCI FI ranked Top 5 among all basic cable networks in ratings and delivery for M25-54 (#2 ratings, #2 delivery) and P25-54 (#4 ratings, # 5 delivery), and Top 10 in the following key demos: P18-49 (#5 ratings, #6 delivery), M18-49 (#5 ratings, #6 delivery), F25-54 (#7 ratings, #7 delivery), F18-49 (#10 ratings, #9 delivery) and M18-34 (#10 ratings, #10 delivery).

--SCI FI delivered 1.8 million P25-54s in February's Friday prime, more than broadcast networks the WB (1.6 million) and UPN (1 million). The Channel also averaged 1.2 million M25-54 for Friday prime, 10% more than Fox (1.1 million) and more than the WB (581,000) and UPN (527,000) combined.

--Faced with intense competition from the broadcast network's sweeps period (the Academy Awards, Super Bowl, etc.) - SCI FI produced some of the strongest programming successes in the Channel's history. Each of the 'SCI FI Friday' original series averaged at least a 2.0 HH rating and well over 2 million viewers (P2+): 'Battlestar Galactica' - 2.4 HH rating, 2.9 million P2+; 'Stargate Atlantis' - 2.2 HH rating, 2.7 million P2+; 'Stargate SG-1' - 2.0 HH rating, 2.4 million P2+.

--SCI FI Channel Original Movie 'Alien Siege' brought in nearly 2 million viewers (P2+) for its February 26 premiere. 'Alien Siege' is the highest-rated February movie to air on the Channel in five years.

SCI FI Channel is a television network where "what if" is what's on. SCI FI fuels the imagination of viewers with original series and events, blockbuster movies and classic science fiction and fantasy programming, as well as a dynamic Web site (www.scifi.com) and magazine. Launched in 1992, and currently in 84 million homes, SCI FI Channel is a network of NBC Universal, one of the world's leading media and entertainment companies.

koenigrules logged this Intel at 9:52 PM

Wednesday, March 02, 2005

'Battlestar's' Madame President Finds Her Power
BY: KATE O'HARE Source: zap2it.com

LOS ANGELES (Zap2it.com) Before "Battlestar Galactica," the closest actress Mary McDonnell got to a presidency was playing the doomed First Lady Marilyn Whitmore in the blockbuster film "Independence Day."

Now she's gone from being the woman behind the man to being "the man," as President Laura Roslin in Sci Fi Channel's space epic "Battlestar Galactica," airing Fridays at 10 p.m. ET.

As depicted in the 2003 miniseries that launched this reimagined version of the short-lived 1970s series of the same name, the robotic Cylons turned against their human creators and nuked the 12 human colonies (whose names, like Virgon and Caprica, derive from zodiac signs).

The survivors were forced to flee aboard a hastily assembled fleet of military and civilian ships, led by the Galactica, under Commander Adama (Edward James Olmos). They're on the run from the Cylons and on the hunt for Kobol, which their mythology considers the home planet of mankind, and for the lost 13th colony -- Earth.

Along with its military fleet, the 12 Colonies also had a civilian government, and most of that was destroyed. After 43 others in the line of succession perished in front of her, Education Secretary Laura Roslin assumed the presidency in the middle of chaos.

As the show's first full season has progressed -- the two-part finale, "Kobol's Last Gleaming," airs Friday, March 25 and April 1 -- Roslin has made agonizing decisions while trying to keep the survivors fed and alive, and dealing with the internal threat of Cylon agents who appear human. Often, she's butted heads with Adama, who initially referred to her as a "schoolteacher."

Roslin's also doing all this while secretly battling terminal breast cancer.

"Playing this part on 'Battlestar'," McDonnell says, "I've been in the position of having to make sometimes military decisions regarding life and death. It has been a huge stretch for my progressive little heart and soul. The first time I had to experience this in the miniseries, I was really disturbed, when I really got inside that moment.

"As the 13 episodes went on, and I got more and more in command, I started to notice the separation taking place, separating the perhaps compassionate person from the practical person that had to keep the bigger prize in mind. You start feeling yourself becoming more male in a kind of cliched sense, but in fact, you start relying on a different side of yourself more often to get through the moment and not experience some of that pain."

Rather than the cancer being a hindrance, McDonnell feels it's actually worked in Roslin's favor.

"It's fascinating to me," she says, "but the cancer has freed me up to become clearer, stronger and faster. I've got nothing to lose, personally. All I've got to gain is the survival of the people. That's all she has, to do the job well that destiny has handed to her. The sicker she becomes, the more freedom she's experiencing to get the job done.

"Do you know what the truth is? Women are carrying all of it anyway. It's delusion to think otherwise. We're carrying too much, and now we're being called into power in a male, worldly sense as well. So how do you do that?"

Playing the president has had a personal effect on McDonnell as well.

"Because I am a middle-aged woman, I was not raised from the first day of my life to be prepared for a position of power in the world. I was certainly raised to know that I could do whatever I want. I had a family filled with strong women, and a dad who said, 'Doesn't matter, go out and do what you want.'

"But my education, the information did not come to me to teach me how to be in the male world and take command. So it's the same with Laura Roslin, in that she was not prepared to be the president or any of this. Now she, under extraordinary circumstances, has to discover her own power. She's a very latently powerful woman. I think that's a very good thing to talk about right now."

Especially delicate is Roslin's relationship with Adama, who holds all the military power in his hands.

"She has a lot of power in a powerless situation," McDonnell says, "because he has control. She can't fly a plane. She doesn't understand it. He could [take over], and will. So my response, as Mary, reading it, 'You're kidding.' Then my second response is, 'That's exactly what would happen.'"

Roslin's challenge -- and that of writer/creator Ronald D. Moore -- is to find a credible way to convince Adama to allow the civilian government to stay in control.

"She does it," McDonnell says. "She takes command in certain areas. Here's the other thing about him, she needs to understand him, because she needs to understand his world. She's done a little more thinking about him than the other way around. I'm must a pain in his neck. I'm the annoying schoolteacher.

"She understands there's a man in there who has a really deep respect for a kind of protocol. He's very formal. It would be very hard for him, no matter how annoying she became, to dismiss the idea of the presidency."

And if she has to butt heads with the military, McDonnell's glad the other head belongs to Olmos.

"The best, job, really," she says. "Honestly. Otherwise, if you have to manufacture power, it's so boring, if you have to endow someone with power. He has it. For me, it's like candy."

koenigrules logged this Intel at 5:47 PM

Battlestar Galactica Star Edward James Olmos Gets the Star Treatment
in New Book About His Life Source: NAMC Worldwide Newsroom

WILKES-BARRE, PENNSYLVANIA, (NAMC) Mar 2, 2005 - Emmy and Golden Globe winner Edward James Olmos, star of Battlestar Galactica, is the subject of a new book to be released by Kallisti Publishing. The book Walk, Don't Run, by Steven "Rusty" Johnson chronicles the life and times of Edward Olmos, Joey Zagarino, and the author on their quest for rock 'n' roll stardom in the streets of Hollywood. Not many people know that Edward Olmos started his career as a singer and frontman for the band, The Pacific Ocean. Fewer people know that he was a "furniture mover to the stars" before he became an "overnight" success.

"I started writing about our early careers for Olmos Productions' newsletter," says the author Steven "Rusty" Johnson, "and from those articles it turned into a book. We did so much and saw so much that it's astounding!"

What did they see and do? "We toured with Wolfman Jack, played for Robert F. Kennedy, intermingled with just about every star that you could name, saw friends die, saw other friends succeed while we were busting our humps and wondering when the next check would come so that we could pay rent. It's been an amazing ride and this book is a tribute to that--that spirit that drives one to go after success and damn the torpedoes."

Slated to be released in the next few months, Walk, Don't Run is already being hailed as not only an "autobiographical story with star power", but also as a manual for anyone who wondered what it takes to make it in Hollywood and show business.

For more information, visit the official web site at http://www.walkdontrunthebook.com/ or contact Kallisti Publishing.

Contact:Anthony Michalski KALLISTI PUBLISHING 570-825-3598

koenigrules logged this Intel at 4:13 PM

Fantastica Galactica
BY: RON WYNN Source: NashvilleCityPaper

On another front, the Sci-Fi channel made it official that the new version of Battlestar Galactica (Fridays, 8 p.m.) is a hit. A second season has already started production, with 20 new programs set to begin airing this summer -- an increase of seven over the 13-episode order for the 2004-2005 season. The program also attracts more than 3 million viewers each week, outstanding for a cable show and more people than Star Trek: Enterprise has for the last two years.

koenigrules logged this Intel at 1:17 PM

Tuesday, March 01, 2005

B5 Movie Falls Apart
source:JMS News


A little over a year ago, I was approached by a company that wanted to
make a Babylon 5 movie. They optioned the rights, and commissioned a
script. (It's worth mentioning that I, not WB, own the rights to a B5
movie. When we were negotiating the original B5 deal -- by whose terms
I will never see a dime in profit -- the one thing they did let me have
were the movie rights, figuring they'd never be worth anything in the
long run.)

Anyway...on December 27th of 2003, the script for "The Memory of
Shadows" was turned in, and the process began of trying to make the
deal work with all the various forces involved. It is, to say the
least, a very difficult process on any movie where the studio does not
directly take the financial reins. In terms of B5, Warner's position
was esssentially, "We only do big-budget movies with big names, so
you're on your own." If there were big-name movie actors in the film,
they'd get behind it; without that, things become very problematic,
especially as far as the financing was concerned. You much have to put
together a consortium of international interests and business plans
rivaled in complexity only by the Allied invasion of Normandy Beach.

Nonetheless, every attempt was made by the people involved to get this
deal in place. This was not being done by Doug or myself, but rather
by the company/individuals who approached us and optioned the rights.
At times, it seemed we were inches away from a deal...stages were
reserved at Elstree, actors were contacted, a director was in place,
the script went through many revisions, a few key staff were hired,
again not by me...it was really a year-long roller coaster ride.
During that time, the people involved, with every good intention, tried
very hard to pull the necessary pieces together on the deal. The
option expired in late December 2004, but I renewed it without cost, to
give those involved more time to try and make things work.

In the end, however, the deal could be put together, and it did not
look as if that was going to change at any point in the foreseeable
future. So the option has reverted, and to all intents and purposes,
the project has dead ended. Nor do I think this particular incarnation
will arise again at any point in the future, though prognostication has
always been a tricky art, especially if you have to do it without the<